P4: Create the production materials in line with the plan
Here is evidence of me directing and evidence of me setting up equipment to film.
Here I am talking to two of my actors, telling them what to do in this scene, to help them out when they made a mistake in the scene.
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Here I am setting up to film rush 4 however, here I am in a different room of the house. Here I am using a handheld device to film as it is a convention of social realism films.
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Here are some rushes as evidence of original recording
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Here are samples of the footage I collected whilst filming the production. All of these shots are going into the final piece. I think the different angles and shot types work really well and add to the production as a whole. The best rush here is rush 1. This is is because I like the angle in which this was taken from, while all the other shots are direct, this one is over the shoulder. If I could go back and film again, the shot i would change would be rush 4. This is because I think this shot would look better from a different angle than the angle I was filming in. I chose to do these kind of shots, because in my research for social realism film trailers, the shots must seem as real as possible as part of a convention which means I don't need to have big elaborate pans of a big area or action shots in the trailer, I can just keep it simple to still shots at different angles. Here I chose real and bleak locations to film in because in social realist films, you want the film to have a real feel to it, so an unrealistic location for a scene would not work, to further emphasise the real tone to the trailer, all the costumes in the trailer are ordinary clothes people would normally wear.