P2: Set up equipment and record production materials for use in an original TV programme or short film
Evidence of filming and directing
Rushes
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Here are samples of the footage I collected whilst filming the production. All of these shots are going into the final piece. I think the different angles and shot types work really well and add to the production as a whole. The best rush is without a doubt rush 2. This is because of the camera's motions to follow what David is doing in this scene would make the audience member feel as though they are actually there with him. If there was any shot I would change if I went back to film again, would be rush 6. I would change the angle slightly and make it more obvious that it is an over the shoulder shot, something that was hard to do because of a giant kitchen side and cupboards being right next to, and behind the actors. In relation to my pre production planning, I wanted to keep my shots to the storyboard keeping them as similar as possible, which is what I achieved in these rushes. I followed my risk assessment by taking all actions noted on there required to keep risks to a minimum, for example removing all unimportant items from the shelves and table that could risk falling.